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WINDHOEK, 18 MAY 2026 - Bank Windhoek's Managing Director, James Chapman. (Photo: Contributed)
KATIMA MULILO, 17 May 2026 - Zambezi Sporting Academy FC lost 2-0 to Bright Stars FC during the Zambezi Regional Second Division Preliminary Namibia Football Association (NFA) Cup held at the Katima Mulilo Sports Complex on Sunday. (Photo: Contributed)
KATIMA MULILO, 17 MAY (NAMPA) – Bright Stars FC secured the Zambezi Regional Second Division Preliminary Namibia Football Association (NFA) Cup title on Sunday, defeating Zambezi Sporting Academy 2-0 in the final held at the Katima Mulilo Sports Complex. (Photo: Michael Mutonga Liswaniso) NAMPA
OMUTHIYA, 17 May 2026 - Fontein City Football Club emerged champions of the Oshikoto Second Division Namibia Football Association (NFA) Cup after beating Omuthiya United Football Club 4-1 on penalties, at the Omuthiya Sports Field on Sunday. (Photo: Contributed)
OKAKOKO, 17 May 2026 - The shack that caught fire and claimed the lives of two toddlers at Okakoko village in the Omuthiya constituency of the Oshikoto region on Sunday. (Photo: Max Henrich) NAMPA
WINDHOEK, 16 May 2026 - A UNAM Bokkies player (in red and white) battles for possession against Ongos FC (in maroon) during Round 20 of the Women’s Super League at UNAM Stadium in Windhoek. The closely contested encounter on Saturday ended in a goalless draw. (Photo by: Hesron Kapanga) NAMPA
WINDHOEK, 16 May 2026 - A UNAM Bokkies player (in red and white) battles for possession against Ongos FC (in maroon) during Round 20 of the Women’s Super League at UNAM Stadium in Windhoek. The closely contested encounter on Saturday ended in a goalless draw. (Photo by: Hesron Kapanga) NAMPA
WINDHOEK, 16 May 2026 - A UNAM Bokkies player (in red and white) battles for possession against Ongos FC (in maroon) during Round 20 of the Women’s Super League at UNAM Stadium in Windhoek. The closely contested encounter on Saturday ended in a goalless draw. (Photo by: Hesron Kapanga) NAMPA
Nigerian director and screenwriter Arie Esiri (L) and Nigerian director Chuko Esiri pose for a portrait session on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. The Lagos of Arie and Chuko Esiri's Cannes Film Festival hit "Clarissa" is not one that has ever been seen on the big screen. The lives, loves, petty snobberies and private torments of some of Nigeria's most privileged people would not seem the stuff to solicit much sympathy in a megacity where the rich float over so much human misery. (Photo by Julie SEBADELHA / AFP)
Nigerian director and screenwriter Arie Esiri (L) and Nigerian director Chuko Esiri pose for a portrait session on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. The Lagos of Arie and Chuko Esiri's Cannes Film Festival hit "Clarissa" is not one that has ever been seen on the big screen. The lives, loves, petty snobberies and private torments of some of Nigeria's most privileged people would not seem the stuff to solicit much sympathy in a megacity where the rich float over so much human misery. (Photo by Julie SEBADELHA / AFP)
Nigerian director and screenwriter Arie Esiri (L) and Nigerian director Chuko Esiri pose for a portrait session on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. The Lagos of Arie and Chuko Esiri's Cannes Film Festival hit "Clarissa" is not one that has ever been seen on the big screen. The lives, loves, petty snobberies and private torments of some of Nigeria's most privileged people would not seem the stuff to solicit much sympathy in a megacity where the rich float over so much human misery. (Photo by Julie SEBADELHA / AFP)
Japanese director and screenwriter Hirokazu Kore-eda speaks during an interview on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. Hirokazu Kore-eda, a leading figure in Japanese cinema and winner of the 2018 Palme d’Or, said on May 17, 2026 in Cannes – where his new film "Sheep in the Box" is in competition – that he would fight “to the very end” to ensure that a human being is involved “at every stage of film production”. (Photo by Julie SEBADELHA / AFP)
Japanese director and screenwriter Hirokazu Kore-eda looks down during an interview on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. Hirokazu Kore-eda, a leading figure in Japanese cinema and winner of the 2018 Palme d’Or, said on May 17, 2026 in Cannes – where his new film "Sheep in the Box" is in competition – that he would fight “to the very end” to ensure that a human being is involved “at every stage of film production”. (Photo by Julie SEBADELHA / AFP)
Japanese director and screenwriter Hirokazu Kore-eda smiles during an interview on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. Hirokazu Kore-eda, a leading figure in Japanese cinema and winner of the 2018 Palme d’Or, said on May 17, 2026 in Cannes – where his new film "Sheep in the Box" is in competition – that he would fight “to the very end” to ensure that a human being is involved “at every stage of film production”. (Photo by Julie SEBADELHA / AFP)
Japanese director and screenwriter Hirokazu Kore-eda looks down during an interview on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. Hirokazu Kore-eda, a leading figure in Japanese cinema and winner of the 2018 Palme d’Or, said on May 17, 2026 in Cannes – where his new film "Sheep in the Box" is in competition – that he would fight “to the very end” to ensure that a human being is involved “at every stage of film production”. (Photo by Julie SEBADELHA / AFP)
Japanese director and screenwriter Hirokazu Kore-eda poses for a portrait session on the sidelines of the 79th edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2026. Hirokazu Kore-eda, a leading figure in Japanese cinema and winner of the 2018 Palme d’Or, said on May 17, 2026 in Cannes – where his new film "Sheep in the Box" is in competition – that he would fight “to the very end” to ensure that a human being is involved “at every stage of film production”. (Photo by Julie SEBADELHA / AFP)
